Ancient art
gives you impressions and details into the lives of people that lived so long
ago. I gained knowledge about the
different artistic periods, about the symbolisms and different reasons for the
artwork, about the wonderful sculptures and paintings that were made, and the
amazing architecture that still endure into the present. I appreciated the art for both its visual
details and for their historical content.
One of the most interesting aspects
about much of the art that was covered in my art history class was the use of
art for political propaganda. It can be
seen in many of the different artistic and historical periods. Often, it was rulers and leaders, through the
use of symbolism and the associations with the divine, that used the art to convey
their right to rule and their power and strength to the people that they ruled
over and to their enemies. The “Stele of
Naram-Sin” is rich in symbolism and shows different stylistic techniques. It shows the Akadian ruler Naran-Sin and his
victory over a group of mountain people.
The stele uses the hierarchy of scale to show the importance of
Naram-Sin by making him the largest figure in the scene, which is seen prominently
in Egyptian art as well. They also show
his importance by making him similar in size to the mountain that is seen in
the background. His connection to the
divine is made through the symbolisms of the bull’s horns on his head, his well
formed and tone body, and the stars in the sky that represents the presence of
the gods. What’s also interesting about
this stele, is that the fact that it was not only used by Naram-Sin to promote
himself, but that it was also used after his lifetime by another ruler,
Shutruk-Nahunte. He used it for his own
propagandistic purposes and tried to draw an association with Naram-Sin. Other artwork rich in political propaganda
included the Babylonian “Stele of Hammurabi”, which contain the written legal
codes of Hammurabi and depicts the support of the gods through the offering of
the staff, and the Narmer Palette from the early dynastic period in Egypt.
Architecture
was widespread and diverse throughout the ancient civilizations and cultures
and throughout time. The Ishtar gates are
a beautiful example of the New Babylonian period. The blue glazed brick make a dramatic
background for the stylized dragons and lions.
I like the repetition of the decorative elements, the stylized plants
and palm trees, and how the colors contrast with the background and form
interesting lines for the eye to follow.
I think this would have made a wonderful ceremonial visually and I enjoy
how it represents the rebirth and the rejuvenation of the Babylonian
culture.
The Great pyramids of Giza are
still an impressive feat of architecture.
It’s amazing the precision of the calculations that would have been needed
to form a perfect pyramid. The other
Egyptian architecture that I thought was amazing was the Hypostle Hall of the
Great Temple of Amuk. Most of the
columns, walls, and cross-beams were decorated with painted pictoral relief and
inscriptions. Visually, the eye is drawn
up and down the column with the different registers of relief and hieroglyphs, and
the many columns create a sense of being in a forest of trees, or in the case
with the Egyptians, a swamp of papyrus. The
amount of work needed to decorate the columns would have required many skilled
artists and a lot of time and resources.
It was interesting to learn of the symbolism of the papyrus and lotus
shaped columns, and the symbolism of the swamps, which was closely tied into
the Egyptian’s religious belief in creationism.
The Parthenon is an amazing
building that gives insight into Greeks’ desire for perfectionism and
order. Iktinos’s treatise on the
Parthenon was meant to use optical illusion to create perfectionism. Some of his methods involved include: the swelling
of the columns so that they appeared straight, making the columns on the corner
thicker, curving the base of the entablatures to give the impression of a
straight horizontal line, and using the ration 4:9 for the relationship of
breadth and length and column diameter to the space in between columns.
Based on the use of domes and the
basilica plans of the Romans, the Byzantines created a beautiful centrally and
longitudinal planned dome called the Church of Hagia Sophia in Istanbul. The ring of windows around the dome, which
lets in light, creates an aura and halo of light that isn’t seen in the Roman
Pantheon. The dome and the light represent spirituality and the heavens. The light and the stylized patterns that
decorate the inside of the dome make Hagia Sophia an interesting and beautiful
church.
Some of my favorite paintings were
the frescoes of the ancient Aegean culture. I enjoyed the bright use of colors in the
landscapes, and with the figures, and the whimsical stylization of the hills
and the animals. The bright colors and
the telling of an important event in Aegean culture, the coming into womanhood,
can be seen in the “Girl Gathering Saffron”.
The whimsical and stylized animals can be seen in the “Flotilla
Frescoe”. The deer leaping in the
background over the hills and the dolphins leaping out of the water, in between
the flotilla of boats, lends energy to the scene, and the multi colored hills
lend a colorful backdrop to the scene.
I learned a lot about the people
and the different cultures of ancient civilizations through their art and
architecture. It gives me a better
understanding of their artwork and an understanding of how much influence
cultures had on each other, even our own.
Sounds like you enjoyed lots of different cultures and artistic styles! I'm glad about that. I like all of the pieces that you mentioned, too. The "Girl Gathering Saffron" is one of my favorites from the Minoan period - I love her shaved head (and "lock of youth"), as well as the curvilinear lines that outline her body and clothing. I also like how she is associated with "coming of age" rituals, as implied with the saffron plant.
ReplyDeleteI enjoyed teaching you this quarter!
-Prof. Bowen
I really liked how you focused on political propaganda art rather than general art. While reading your blog, I thought about graphic designers back in those times. I guess, they would not be called graphic designers. I thought about them because nowadays graphic designers are the ones who tend to do most political propaganda campaigns in terms of putting together the overall visual message. Non-digital art is used as part of graphic designs, but it's not usually the sole piece that will eventually represent a political propaganda piece like it did in ancient times. In our time, it would seem weird to think that a sculptor or painter would do an entire campaign piece. I don't know if I'm making sense or not, hopefully I am. Great post!
ReplyDeleteWow, a complete tour and I can tell you enjoyed every stop. I love how you tell the story of the progression of art and its ever changing face. I really liked that you connected each culture with a favored work of art. This blog is fantastic. Thank you.
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